He will extinguish the SUN.
(We can use the MOON instead.)
He will extinguish the SUN.
(We can use the MOON instead.)
Some time ago I was privileged to receive an advance review copy of Thomas Ligotti's nonfiction treatise, The Conspiracy against the Human Race. I've since read the book (twice) and have been meaning to comment on it in the depth that it deserves. Alas, I simply haven't found the time. Or the words. Perhaps I will have something more to say between now and the end of days.
Fortunately, Jim Crawford has graciously agreed to let me reprint his review, which follows below in preciously edited form (the original version is here). Jim is the author of Confessions of an Antinatalist, now available for only $12 postpaid from the Hoover Hog's publishing imprint, Nine-Banded Books. I should disclose that Thomas Ligotti was kind enough to endorse Jim's book, but don't let the incestuous funk trip your radar; both books are worth your attention, and as Jim Goad might have put it once upon a time, both books are worth hating.
The Conspiracy against the Human Race, by Thomas Ligotti.
Hippocampus Press, June 2010.
Review by Jim Crawford.
History is a nightmare from which I am trying to awake.
— James Joyce, Ulysses
lies the problem of consciousness. Before its refined emergence as the
node called human, there is only sleep. An uneasy sleep, to be sure. A
tranquility punctuated by appalling interruptions of rumbling stomachs
and tearing flesh. No nobility in pre-solipsistic savagery, perhaps,
but the agonies keep to their assigned beats and only bother those who cross their paths. A dream within a dream.
worst thing imaginable happens. The dream awakens within itself,
becomes lucid. A shard of the latency breaks loose. Falls out of the
sky. There is a sense of plummeting, of scrambling for altitude in the
midst of obstacles. Worse yet, there comes an awareness of gravity, and
of the maxim ‘What goes up…’. The dream becomes a nightmare.
In The Conspiracy Against the Human Race, a work of non-fiction soon to be released, acclaimed horror author
Thomas Ligotti strikes at the heart of the lie we maintain to shield
ourselves from the contemplation of that nightmare, lest we find
ourselves face to face with the secret ‘too terrible to know.’ The lie?
That ‘being alive is all right.’ And the unutterable secret? That life
is ‘malignantly useless.’ And so we shut our eyes to that particular
horror, sleepwalking our way from one oasis of distraction to the next,
as we grope by faith toward whatever version of Zion happens to suit
our soteriological temperament.
But even as that nightmare is
not of our own making, neither are our somnambulistic defenses against
it. For we are puppets, one and all. Forgotten toys dangling from the
imbecilic fingers of the First Urge, moved by the mephitic winds of
heritage and circumstance, believing all the while that we are real
boys and girls. Condemned to dance, and twirl, and dream of what it
might be like to be autonomous, rather than automatons.
Of course, none
of us really wants to believe this. Question: What do you call a puppet
that refuses to acknowledge its patrimony of woodpulp and ashes? That
claims not to feel the tug of the wire at its wrists? Answer: An
optimist. But what of his counterpart, the pessimist? The ‘man with a
morbid, frantic, shuddering hatred of the life-principle itself?
(Lovecraft) Does he occupy some loftier position in the kingdom of
wood, cloth and string, a perch from which he can gaze down upon this
play of absurd passions with — dare I say it? — objectivity?
lies the conundrum of the hard determinist, of which Ligotti is fully
aware. How to build a case on reason, when reason’s foundations are
ultimately no more secure than the sound of wind whistling through
cracks in the mortar? Origins are lost to us in the stifling complexity
of our causative heritage; we are stuck with who we are, and with what
we think we know. Our perceptions have been handed over to us bearing
neither manufacturer’s label nor warranty. This being the overriding
circumstance in the duchy of puppetry, what is the justification by
which we can possibly proceed to make our respective cases?
There is none. We push forward — or speaking with a tad more
accuracy, perhaps, are pushed — weighing the quality of music issuing
from our squeaking joints, as well as that conjured up by our
ideological opposites, against the standard of sawdust between our
ears. Knowing that we do not know, the knowledge of our
ignorance is splayed out against the leading edge of a juggernaut whose
engines exist in a realm we’ll never be privy to, even after we’re torn
We push forward. Make our appeals. Pessimists have made
theirs, though you’d be hard pressed to hear them in the midst of
the Official Life Affirmation Choir and Jug Band. There are names —
Schopenhauer. Nietzche. Sartre. Camus. Mainlander. Zapffe. Others. Some
motivated by disdain, others by despair. Still others by misanthropic
intellects unwilling to take their seats at ringside. Some of these
held more or less true to their offending creeds, while others sought
and wrought loopholes, straining for illusory beams of light in the
Ligotti has made his case as well, drawing from his
background of horror and phantasmagorical literature, polishing the
mirror of our self-reflection to an astonishing degree.
Each time I gaze into it, I catch another glimpse of the darkness
behind my eyes. The emptiness. An awareness made more palpable by the
knowledge of my own nothingness, realizing that that nothingness is
everything I am. A nothingness that one day will be swallowed by its
There’s a picture on my desk, a piece of paper
confined within a frame of wood and glass. These are my daughters.
Little bits of the Nothing that coalesced into temporary simulcra of
something. They will remain briefly, moved by the wind, fading in the
sun, and finally dissolved in darkness. Once they were not. Soon they
will return to that former station, and it will be as if they never
were. There is an infinitude of raw material existing in potentia,
driftwood in danger of being lifted and shaped by the madness at the
core of creation. Carved into the likeness of futility, given breath,
and with that breath, hope, and with that hope, pain and dissolution.
Carved into the likenesses of sons and daughters. Daughters like mine.
At the end of the rainbow? Splinters of broken wood. Bits of rusty
wire, and springs, scraps of cloth, and hope, and aspirations. A
The Conspiracy against the Human Race is a work of
non-fiction by Thomas Ligotti, with a forward by Ray Brassier. It is an
important contribution to the literature of pessimism, as well as
antinatalism; of which, unfortunately, there is a paucity, especially
in the contemporary sense. It is sober, insightful, and supports the
feeling I’ve always had that fiction writers often have a better hold
on reality than philosophers. For those interested in the subject, I
can’t recommend a better piece of reading material- well, unless…er,
END OF JIM CRAWFORD'S REVIEW
If anyone's interested, I have a review of Melissa Katsoulis' Literary Hoaxes in the Summer issue of Inconvenient History.
From the same issue, I would especially recommend Michael K. Smith's essay, "Must We Loathe David Irving," which provides a perceptive study of the Irving-Lipstadt libel trial that played out in Britain over a decade ago. Whatever your thoughts on Irving, Lipstadt, or libel actions generally, Smith's account is elevated by a sharp epistemological unpacking of the assumptions informing the "denier" label/smear. He uses apt analogies that would scarcely occur to right-leaning revisionists, and he makes important points in response to the Shermer-approved "convergence of evidence" trump so often deployed as a kind of smokescreen to selectively and preemptively discredit the critical reading of evidence before it is engaged. Given sufficient support from whatever ranks, the catchall of "convergence" or "cumulative proof" may be dispatched by believers of any persuasion to situate the subject of their preferred belief beyond the bounds of critical inquiry. David Ray Griffin uses essentially the same tack (as Smith notes), as do those who are convinced of the Christian resurrection story, alien abductions, telepathy, global warming, sudden acceleration vehicular malfunction, satanic ritual abuse, and, of course, Nazi gas chambers. It should go without saying that proponents of any particular claim may ultimately be correct or mistaken in their conclusions. But the assertion that convergent lines of evidence — often regardless of empirical quality — effectively close the case is a crude ruse that leads to overconfidence and name-calling.
Mikael K. Smith is the author of two books published by Common Courage Press. He is co-contributor (with Frank Scott) to the blog Legalienate.
The first volume of Richard Widmann's web-based journal Inconvenient History has been compiled into a hardbound book that can be ordered here for the weird price of $29.68.
David Ramsay Steele is an editorial director with Open Court Publishing Company and the author — most famously — of From Marx to Mises: Post-Capitalist Society and the Challenge of Economic Calculation. In the April 2010 issue of Liberty, Steele posts an in-depth review of L.A. Rollins' The Myth of Natural Rights and Other Essays (still available for only $5 postpaid from my own Nine-Banded Books). The review is titled "Might Makes Right" and it's well worth reading.
Unfortunately, Rollins' submitted response exceeded the magazine's word-limit. So, with L.A.'s permission, I am printing his rejoinder below in its entirety for all to consider.
L.A. Rollins' Reply to David Ramsay Steele's Review of The Myth of Natural Rights and Other Essays
END OF ROLLINS' REPLY